https://shinyounghee.com arbeit, arbeit, arbeit Wed, 25 Mar 2026 05:34:59 +0000 https://shinyounghee.com en https://shinyounghee.com/Landschaft_08 Wed, 25 Mar 2026 05:34:59 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/Landschaft_08 <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/942d93da37897c6eed8266abc8fe1fb17eda7c36ee4d32335f1ad0f9860ae91b/_002.jpg" data-mid="246474631" border="0" src="https://freight.cargo.site/w/1000/i/942d93da37897c6eed8266abc8fe1fb17eda7c36ee4d32335f1ad0f9860ae91b/_002.jpg" /> 눈부신 오후 2025 종이에 오일파스텔, 연필, 29.7 X 21 (cm) <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/954caf057ce8db64c3b3c377fe121815ca2bd5c9b858b774cd81a37317884e8e/_001.jpg" data-mid="246474630" border="0" src="https://freight.cargo.site/w/1000/i/954caf057ce8db64c3b3c377fe121815ca2bd5c9b858b774cd81a37317884e8e/_001.jpg" /> <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/db58bb64a5260312acde06fb79396e0c25f367c6e6628efebfc80912560888f9/_003.jpg" data-mid="246474632" border="0" src="https://freight.cargo.site/w/1000/i/db58bb64a5260312acde06fb79396e0c25f367c6e6628efebfc80912560888f9/_003.jpg" /> <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/9ab4af34056d669cd3eaf632dfd4631cc973c969aee19778d2ef610fc794a9c1/_004.jpg" data-mid="246474633" border="0" src="https://freight.cargo.site/w/1000/i/9ab4af34056d669cd3eaf632dfd4631cc973c969aee19778d2ef610fc794a9c1/_004.jpg" /> <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/9d79206b0908294f299f657815869a4c196b7cbcfa0fbb34bbaaeb46bd99fec9/_005.jpg" data-mid="246474634" border="0" src="https://freight.cargo.site/w/1000/i/9d79206b0908294f299f657815869a4c196b7cbcfa0fbb34bbaaeb46bd99fec9/_005.jpg" /> <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/224a44004e2b5c838fd2c5193641d614a0a76f2477bdc2fbb4f80f1ca79fec7a/_006.jpg" data-mid="246474635" border="0" src="https://freight.cargo.site/w/1000/i/224a44004e2b5c838fd2c5193641d614a0a76f2477bdc2fbb4f80f1ca79fec7a/_006.jpg" /> <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/1615adfa4d0aa62f8a7a5203566907883787834b26b5353e7dc9d4cbf1df281d/_007.jpg" data-mid="246474636" border="0" src="https://freight.cargo.site/w/1000/i/1615adfa4d0aa62f8a7a5203566907883787834b26b5353e7dc9d4cbf1df281d/_007.jpg" /> <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/ec7dd73ab6a7941561b34314e0edc925ec8f9b7a6697c283233de0b16ef3678c/_009.jpg" data-mid="246474638" border="0" src="https://freight.cargo.site/w/1000/i/ec7dd73ab6a7941561b34314e0edc925ec8f9b7a6697c283233de0b16ef3678c/_009.jpg" /> <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/46e4738d40ea99e0d8e5c334de8a17faa19f736b1ce60f1e1342c8b208c25513/_010.jpg" data-mid="246474639" border="0" src="https://freight.cargo.site/w/1000/i/46e4738d40ea99e0d8e5c334de8a17faa19f736b1ce60f1e1342c8b208c25513/_010.jpg" /> <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/8a71fd20b64e06416f5ca9ff15dd4516b94f5977fad27e2d8a3ce37511f62cc5/_011.jpg" data-mid="246474640" border="0" src="https://freight.cargo.site/w/1000/i/8a71fd20b64e06416f5ca9ff15dd4516b94f5977fad27e2d8a3ce37511f62cc5/_011.jpg" /> <img width="4180" height="5900" width_o="4180" height_o="5900" data-src="https://freight.cargo.site/t/original/i/60be5edb2b4c8ab9314b7bc17869b0b00e1ba327681eaa9cc463d0e2abb73940/_008.jpg" data-mid="246474637" border="0" src="https://freight.cargo.site/w/1000/i/60be5edb2b4c8ab9314b7bc17869b0b00e1ba327681eaa9cc463d0e2abb73940/_008.jpg" /> https://shinyounghee.com/37796280 Sat, 30 Aug 2025 08:51:34 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/37796280 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6d7505efd6ce81690cc8c0e9544785601c25a2c170a9f8ee9fb4e1efcc540815/-_001.jpg" data-mid="238584097" border="0" src="https://freight.cargo.site/w/1000/i/6d7505efd6ce81690cc8c0e9544785601c25a2c170a9f8ee9fb4e1efcc540815/-_001.jpg" /> 교차하는 풍경 ‘교차하는 풍경’ 시리즈는 지난가을부터 올해 늦봄까지 삼청공원에서 풍경을 그리며 시작된 작업이다. 야외에서 그림을 그릴 때는 정지된 단 하나의 순간을 포착할 수 없다. 바람이나 햇빛은 시간의 흐름 속에서 쉬지 않고 움직이며, 그 영향을 받는 나무와 주변 환경도 모양과 색을 계속해서 바꾼다. 종이에 선을 긋고, 풍경을 기억하며 다시 그리는 과정에서 나는 계속해서 새로운 풍경을 바라보고, 이를 조합해 하나의 그림으로 완성한다. 공원의 여러 모습과 그날 공원에서 느낀 감각을 그림으로 표현하면서 다양한 시간과 공간이 교차하는 풍경을 시각적으로 재현하고 싶어졌다. 2025 4K, Color, Sound00:03:23 ‘교차하는 풍경 Part. 1’은 영상 작업이다. 공원에서 촬영한 영상과 사진이 다양한 크기와 속도로 하나의 화면에 나타났다가 사라지고, 서로 겹쳤다가 멀어진다. 이 레이어들 사이로 드로잉 선이 미묘하게 스며들었다가 다시 떠오른다. 이를 통해 여러 시간과 공간이 교차하는 풍경을 표현하고자 했다. <img width="2970" height="2100" width_o="2970" height_o="2100" data-src="https://freight.cargo.site/t/original/i/e9db50affae8b9b1d01ecae4b649b13ed2d03915be824bb8ce7eb064ebf5a80c/---2__011_.jpg" data-mid="238584132" border="0" src="https://freight.cargo.site/w/1000/i/e9db50affae8b9b1d01ecae4b649b13ed2d03915be824bb8ce7eb064ebf5a80c/---2__011_.jpg" /> ‘교차하는 풍경 Part. 2’는 사진과 드로잉이 여러 층위로 겹치는 콜라주 작업이다. 영상 작업과 달리 움직임과 소리는 없지만, 드로잉 선과 숲의 여러 순간을 유기적으로 포개어 정지된 이미지들 사이의 시각적 교환을 이끌어내고자 한다는 점에서 목표는 같다. <img width="2970" height="2100" width_o="2970" height_o="2100" data-src="https://freight.cargo.site/t/original/i/b438ea258fadd11ab08eb7c1b92f10fbba21003a7277aea50d09ad963e997194/---2__001-_.jpg" data-mid="238584125" border="0" src="https://freight.cargo.site/w/1000/i/b438ea258fadd11ab08eb7c1b92f10fbba21003a7277aea50d09ad963e997194/---2__001-_.jpg" /> <img width="2970" height="2100" width_o="2970" height_o="2100" data-src="https://freight.cargo.site/t/original/i/bb8778f377a1e3abbbccf97736e718a82c85f85a6b41b44298ec412ff01b3166/---2__006-_.jpg" data-mid="238584128" border="0" src="https://freight.cargo.site/w/1000/i/bb8778f377a1e3abbbccf97736e718a82c85f85a6b41b44298ec412ff01b3166/---2__006-_.jpg" /> <img width="2100" height="2970" width_o="2100" height_o="2970" data-src="https://freight.cargo.site/t/original/i/0ce8b64358d874fee78f3a32894d9b70ae074da1a8909b3ae46ac0780d2f8bc1/---2__002__.jpg" data-mid="238584126" border="0" src="https://freight.cargo.site/w/1000/i/0ce8b64358d874fee78f3a32894d9b70ae074da1a8909b3ae46ac0780d2f8bc1/---2__002__.jpg" /> <img width="2970" height="2100" width_o="2970" height_o="2100" data-src="https://freight.cargo.site/t/original/i/5b224f7246250acdd6e17a3413a0b3bec2e72c92d22e33481513b1d704d7d220/---2__007-_.jpg" data-mid="238584129" border="0" src="https://freight.cargo.site/w/1000/i/5b224f7246250acdd6e17a3413a0b3bec2e72c92d22e33481513b1d704d7d220/---2__007-_.jpg" /> <img width="2970" height="2100" width_o="2970" height_o="2100" data-src="https://freight.cargo.site/t/original/i/41ca6db885f40e6723603ecbd952607b1edb0028fec306f73bff1f9bf50839cb/---2__010-_.jpg" data-mid="238584131" border="0" src="https://freight.cargo.site/w/1000/i/41ca6db885f40e6723603ecbd952607b1edb0028fec306f73bff1f9bf50839cb/---2__010-_.jpg" /> <img width="2970" height="2100" width_o="2970" height_o="2100" data-src="https://freight.cargo.site/t/original/i/c00b2461049a82a1fb4cc01310288f236095f438d8146f15686d8c0702691366/---2__009-_.jpg" data-mid="238584130" border="0" src="https://freight.cargo.site/w/1000/i/c00b2461049a82a1fb4cc01310288f236095f438d8146f15686d8c0702691366/---2__009-_.jpg" /> <img width="2970" height="2100" width_o="2970" height_o="2100" data-src="https://freight.cargo.site/t/original/i/7d466c72eb220bac9e72d97a621e67c0392e6f45e54d9866e2b9d3d188334cb8/---2__012-_.jpg" data-mid="238584133" border="0" src="https://freight.cargo.site/w/1000/i/7d466c72eb220bac9e72d97a621e67c0392e6f45e54d9866e2b9d3d188334cb8/---2__012-_.jpg" /> <img width="2100" height="2970" width_o="2100" height_o="2970" data-src="https://freight.cargo.site/t/original/i/d3590b993db0b9bd4933f25480bc63e19b256e87f4f5ea05a61a6efecbb04b64/---2__005-_.jpg" data-mid="238584127" border="0" src="https://freight.cargo.site/w/1000/i/d3590b993db0b9bd4933f25480bc63e19b256e87f4f5ea05a61a6efecbb04b64/---2__005-_.jpg" /> https://shinyounghee.com/36135583 Mon, 13 May 2024 06:17:31 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/36135583 <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9a67854d667e5c5e52f091664a979f74d263c73726165a2c7d7ab7511526b66e/-_005-copy.jpg" data-mid="210781739" border="0" src="https://freight.cargo.site/w/1000/i/9a67854d667e5c5e52f091664a979f74d263c73726165a2c7d7ab7511526b66e/-_005-copy.jpg" />나는 지금도 네가 있는 그곳으로 돌아가는 꿈을 꾼다.“당신이 죽은 뒤 장례식을 치르지 못해, 내 삶이 장례식이 되었습니다.” (한강, 『소년이 온다』, 창비(2014), p.99) 『소년이 온다』에는 ‘동호’라는 소년을 중심으로 5월의 광주를 온몸으로 견뎌낸 사람들이 그 이후의 시간을 어떻게 살아내는지에 대한 이야기가 나온다. 그들은 ‘동호와 정대, 정미’와는 달리 살아남았지만, 그 시간과 공간을 벗어나지 못하고 살아간다. 끔찍한 폭력의 기억, 죽은 사람들에 대한 슬픔, 살아남은 것에 대한 죄책감이 그들의 현재의 삶을 짓누르고, 그들의 일부는 영원히 지금이 아니라 그 순간에 남겨져 있다. 그들은 살아가기 위해서 끊임없이 나아가지만, 부서져 버린 그들의 일부가 여전히 그 시간을 헤매고 있다. 그런데 경험하지 않은 일을 내가 어떻게 작업으로 표현할 수 있을까? 『소년이 온다』를 읽고 시작한 이번 작업 내내 들었던 생각이다. 하지만 80년 5월의 광주를 직시하는 것이 아니라, 소설을 경유하는 작업이라면 5월의 광주에 대한 어떤 이야기를 시각적인 언어로 풀어나갈 수 있으리라는 생각이 들었다. 한강이 그랬듯이 단지 이 시대를 살아가는 내가 할 수 있는 최선은 고통받는 사람들을 잊지 않는 것뿐이었다. 초등학교 4학년, 학교 끝나고 집으로 돌아오는 길이었다. 엄마가 집 앞 골목에서 나를 기다리고 있었다. 이런 일이 흔한 게 아니었기 때문에 나는 엄마가 맞이해준다는 기쁨이 컸다. 그런데 주위를 둘러보니 골목에는 엄마 말고도 다른 어른들이 집 앞에 나와 서성이고 있었다. 무슨 일인가 궁금했다. 그러던 순간에 어떤 젊은 남자가 갑자기 “형!”하고 소리소리 지르면서 얇은 반바지와 러닝셔츠 바람에 맨발로 언덕을 달려 내려왔다. 그 뒤로는 경찰들이 그를 쫓아 엉거주춤 뒤따르고 있었다. 거기에 있던 사람들은 모두 걱정스러운 얼굴로 그 남자를 쳐다봤다. 엄마 손을 잡고 바라본 남자의 얼굴에서 어쩐지 그는 그 순간 같은 공간을 공유하는 우리와는 전혀 다른 시간과 장소를 헤매고 있는 것 같다는 생각이 들었다. 너무나 절박하게 ‘형’이라는 사람을 부르는 그 남자를 다들 어쩌지 못하고 바라보고만 있었다. 나는 그 남자가 왜 그렇게 되었는지 몰랐고, 그 이후로도 어떤 삶을 살게 되었는지 전혀 알지 못한다. 하지만 그 남자의 얼굴, 나와 같은 시공간에 있었으면서도 전혀 다른 곳을 헤매던 그 얼굴을 때때로 떠올렸다. 유학 초기에 친구와 함께 베를린의 동물원에 갔다. 여러 동물을 구경하다가 낯선 비명을 들었다. 소리는 새 우리에서 났다. 커다란 새 우리 꼭대기에 새가 한 마리 거꾸로 매달려있었고, 계속해서 찢어질 것 같은 비명을 내질렀다. 새가 지르는 소리 같지 않아 소름이 끼쳤다. 내 주변 사람들은 이상한 행동을 하는 새를 보면서 얼굴을 찌푸리기도 하고, 웃기도 했다. 발걸음이 떨어지지 않아, 한참 그 새를 바라보다가 어렸을 때 봤던 그 남자의 얼굴이 떠올랐다. 그 새는 물리적으로도 정신적으로도 갇혀있었고, 어떤 시간 속에서 같은 행동을 반복했다. 그 동물원 안의 사람들뿐만 아니라 같은 우리 속의 다른 새들과도 완전히 단절되어 있었다. 그때 바라본 것은 한 마리의 새였지만, 타자의 고통을 단지 외부인으로서 바라보는 것만이 내가 할 수 있는 일이라는 것이 그 순간만큼 부끄러웠던 적은 없었다. 영상매체로 작업을 하다 보면, 이 매체가 회화나 조각으로는 잡아낼 수 없는 순간을, 우리 눈으로는 감지하지 못하는 순간을 잡아낼 수 있다는 점을 발견하게 된다. 평소에는 주변 환경과 여러 가지 감각적인 경험이 뒤섞여서 미처 인식하지 못한 것을 촬영 이후에 편집하면서 보게 되는 경우가 많다. 그렇게 발견한 장면들을 조합하면 머릿속에만 있던 어떤 감정과 기억을 다른 사람들과 공유할 수 있는 이미지로 구체화할 수 있었다. 하지만, 어떤 이미지들은 카메라를 통해서 촬영한 것만으로는 표현할 수가 없었다. 기억 속의 어떤 이미지는 재현이 불가능했다. 특히나 어릴 때 봤던 그 남자의 얼굴이 그랬다. 그의 얼굴을 표현하기 위해서 기억 속의 얼굴을 움직이는 그림으로 표현하려고 노력한 적이 있다. 결국 실패하고 말았지만, 그 경험은 이후에 손으로 그려서 이미지가 움직이게 만드는 작업을 하는 데 영향을 주었다. 「나는 지금도 네가 있는 그곳으로 돌아가는 꿈을 꾼다」는 줄거리가 있는 애니메이션 필름이라기보다 손으로 그린 움직이는 이미지에 가깝다. 나는 80년 5월의 광주를 직접 경험하지 않았다. 그 일이 일어났을 때는 태어나지도 않았고, 가까운 사람 중에 이 일과 관련된 사람도 없다. 5월의 광주는 다른 사람들의 경험을 책과 영화를 통해서 간접적으로 접한 것이 전부다. 그런 내가 아무리 「소년이 온다」를 거치더라도 이와 관련된 내용을 현실에 존재하는 이미지를 사용해서 표현한다는 것은 불가능하다는 생각이 들었다. 실제로 일어난 일을 이미지로 나타내는 것보다는 책을 읽고 관련된 자료를 찾아보면서 서서히 생겨난 감정과 머릿속의 형상을 종이 위에 묘사하면서 서서히 구체화하는 과정을 겪는 것이 내가 5월의 광주를 어떻게 바라보는지 드러내는 데 더 효과적이라고 생각했다. 어렸을 때 봤던 그 남자도, 동물원에서 봤던 새도, 다양한 폭력을 견뎌내고 살아남은 사람들에게서도, 그리고 전쟁으로 고향과 사랑하는 사람들을 잃은 친할머니에게서도 비슷하게 보이는 얼굴이 있다. 다른 사람들과 함께 행복한 시간을 보내는 순간에도 문득 완전히 다른 곳, 다른 시간을 바라보는 것 같은 표정을 짓는다. 그때 그들의 일부분은 어디에서 무엇을 하고 있는 걸까? 상처가 완전히 사라져 버린 것 같은 때에 문득 되돌아와 다시 그 고통스러운 시간으로 그 사람을 끌고 가는 그것은 어딘가에서 현실에서는 할 수 없었던 애도를 대신하고 있는 것은 아닐까? <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/925bbcb6cabdf121203c9f76ada0480bd381929fefb04f0f6106460d40141732/-_001-copy.jpg" data-mid="210781731" border="0" src="https://freight.cargo.site/w/1000/i/925bbcb6cabdf121203c9f76ada0480bd381929fefb04f0f6106460d40141732/-_001-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e10869ce4c798f0950655f1bd16178ac02d7974d4d1a54860e27c17d3b4b2c22/-_003-copy.jpg" data-mid="210781737" border="0" src="https://freight.cargo.site/w/1000/i/e10869ce4c798f0950655f1bd16178ac02d7974d4d1a54860e27c17d3b4b2c22/-_003-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9a67854d667e5c5e52f091664a979f74d263c73726165a2c7d7ab7511526b66e/-_005-copy.jpg" data-mid="210781739" border="0" src="https://freight.cargo.site/w/1000/i/9a67854d667e5c5e52f091664a979f74d263c73726165a2c7d7ab7511526b66e/-_005-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/07777cb27cdfcf388008b9c45f6929ee25b2579598626b5388a1dbc08045ab97/-_008-copy.jpg" data-mid="210781743" border="0" src="https://freight.cargo.site/w/1000/i/07777cb27cdfcf388008b9c45f6929ee25b2579598626b5388a1dbc08045ab97/-_008-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/96dc3fb7c1e7d24f8b5fdf27d51019a1b918523e9f23dbaa12e045058be9b992/-_009-copy.jpg" data-mid="210781744" border="0" src="https://freight.cargo.site/w/1000/i/96dc3fb7c1e7d24f8b5fdf27d51019a1b918523e9f23dbaa12e045058be9b992/-_009-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/54a9e047c77f1590164ec899b371c007b13bf7232fc54a08dca1072edf0a89ab/-_010-copy.jpg" data-mid="210781745" border="0" src="https://freight.cargo.site/w/1000/i/54a9e047c77f1590164ec899b371c007b13bf7232fc54a08dca1072edf0a89ab/-_010-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/63507927587d6154d9d16902186d7a4644d897ab291324ec136e77b721eeecbd/-_011-copy.jpg" data-mid="210781746" border="0" src="https://freight.cargo.site/w/1000/i/63507927587d6154d9d16902186d7a4644d897ab291324ec136e77b721eeecbd/-_011-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8de761b30df95210de9e3c52fcabc460b999c99601a3c0a2b1032b492fda9e28/-_013-copy.jpg" data-mid="210781748" border="0" src="https://freight.cargo.site/w/1000/i/8de761b30df95210de9e3c52fcabc460b999c99601a3c0a2b1032b492fda9e28/-_013-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1de19e0c838fe14167595425acd6a3d9f27e7a6f411af401a7e395e6b82ea94a/-_014-copy.jpg" data-mid="210781749" border="0" src="https://freight.cargo.site/w/1000/i/1de19e0c838fe14167595425acd6a3d9f27e7a6f411af401a7e395e6b82ea94a/-_014-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ad10e1553bebd4cf598f705248606ea3d3042d3c8f1507b02d223fb7a1ebf2f9/-_016-copy.jpg" data-mid="210781751" border="0" src="https://freight.cargo.site/w/1000/i/ad10e1553bebd4cf598f705248606ea3d3042d3c8f1507b02d223fb7a1ebf2f9/-_016-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6051185f454fb754bae9918997868a9033327a37cfa6f5ded48126fb59fb18f3/-_018-copy.jpg" data-mid="210781753" border="0" src="https://freight.cargo.site/w/1000/i/6051185f454fb754bae9918997868a9033327a37cfa6f5ded48126fb59fb18f3/-_018-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4c69a6040b778983d49fab8562f85be808faf4ba2b72dd53b85a08bb348b9456/-_020-copy.jpg" data-mid="210781755" border="0" src="https://freight.cargo.site/w/1000/i/4c69a6040b778983d49fab8562f85be808faf4ba2b72dd53b85a08bb348b9456/-_020-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c565f13bf4fef98d36b05447238df5654b5962d744464ced611c7873f0fefeb1/-_021-copy.jpg" data-mid="210781757" border="0" src="https://freight.cargo.site/w/1000/i/c565f13bf4fef98d36b05447238df5654b5962d744464ced611c7873f0fefeb1/-_021-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/82bed8c60046a3e0ac2b3026f8ccc6a84e1a606e99d29edf2e638e545a53fc9e/-_022-copy.jpg" data-mid="210781758" border="0" src="https://freight.cargo.site/w/1000/i/82bed8c60046a3e0ac2b3026f8ccc6a84e1a606e99d29edf2e638e545a53fc9e/-_022-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4c9c5596f97cad1d7a6d97cb2d62e3d20e6887756fe640a9e767b3375b8aa83d/-_024-copy.jpg" data-mid="210781760" border="0" src="https://freight.cargo.site/w/1000/i/4c9c5596f97cad1d7a6d97cb2d62e3d20e6887756fe640a9e767b3375b8aa83d/-_024-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/da38b6e4cac9adedadd997c119d0f5ecaf7503ee43e6d793229df0b8101ac2c1/-_025-copy.jpg" data-mid="210781762" border="0" src="https://freight.cargo.site/w/1000/i/da38b6e4cac9adedadd997c119d0f5ecaf7503ee43e6d793229df0b8101ac2c1/-_025-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fb54bd97cda9b7e520c9ca4baf8c3179ca8bf5d998fbb264438655b79bbf65f0/-_026-copy.jpg" data-mid="210781763" border="0" src="https://freight.cargo.site/w/1000/i/fb54bd97cda9b7e520c9ca4baf8c3179ca8bf5d998fbb264438655b79bbf65f0/-_026-copy.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5009bd4b51be4219133b9160a1a38d5606c1bfb4409785ef5c44451cc8a09c4d/-_027-copy.jpg" data-mid="210781764" border="0" src="https://freight.cargo.site/w/1000/i/5009bd4b51be4219133b9160a1a38d5606c1bfb4409785ef5c44451cc8a09c4d/-_027-copy.jpg" /> 2024 analogue and digital Animaition, 4K, black and white, no sound 00:01:10 https://shinyounghee.com/Park-Jeung-ho Sun, 05 Sep 2021 16:16:15 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/Park-Jeung-ho 박증호(曾呼) (Park Jeung-ho) <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/e39c704e0d65de3e7f4e986c3b99b365537128c76f1d046f62ad133a92a16c76/Park-Jeung-ho_no-subtitle_02300101223-.jpg" data-mid="118127623" border="0" src="https://freight.cargo.site/w/1000/i/e39c704e0d65de3e7f4e986c3b99b365537128c76f1d046f62ad133a92a16c76/Park-Jeung-ho_no-subtitle_02300101223-.jpg" /> An exploration of family relations, and the measure of distance and strangeness between persons with whom by definition one ought to be and feel closely related to. <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/379d0a9d4449f61325895b291e291fcfe3486858a76b8ea121638c166497a80a/Park-Jeung-ho_no-subtitle_00200091089-.jpg" data-mid="118127601" border="0" src="https://freight.cargo.site/w/1000/i/379d0a9d4449f61325895b291e291fcfe3486858a76b8ea121638c166497a80a/Park-Jeung-ho_no-subtitle_00200091089-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/b2437b9afb225a91bb2a1eae97b00f3d51abaab55c0fac345cae1de189c1520c/Park-Jeung-ho_no-subtitle_00500092994-.jpg" data-mid="118127604" border="0" src="https://freight.cargo.site/w/1000/i/b2437b9afb225a91bb2a1eae97b00f3d51abaab55c0fac345cae1de189c1520c/Park-Jeung-ho_no-subtitle_00500092994-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/e649e13fbcbdc6937429fd78db5a5c9012fd460d839c66053ed29b487df8af9a/Park-Jeung-ho_no-subtitle_00700094242-.jpg" data-mid="118127606" border="0" src="https://freight.cargo.site/w/1000/i/e649e13fbcbdc6937429fd78db5a5c9012fd460d839c66053ed29b487df8af9a/Park-Jeung-ho_no-subtitle_00700094242-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/0cdce3025b180879e2cc5d98dab650e723a4638866178a5cc6e5c123fba247e2/Park-Jeung-ho_no-subtitle_01200096388-.jpg" data-mid="118127612" border="0" src="https://freight.cargo.site/w/1000/i/0cdce3025b180879e2cc5d98dab650e723a4638866178a5cc6e5c123fba247e2/Park-Jeung-ho_no-subtitle_01200096388-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/8a0e73ae6fc8136031a373ee02fe462820783797130ed8cd23bef64fc377346c/Park-Jeung-ho_no-subtitle_01700098231-.jpg" data-mid="118127617" border="0" src="https://freight.cargo.site/w/1000/i/8a0e73ae6fc8136031a373ee02fe462820783797130ed8cd23bef64fc377346c/Park-Jeung-ho_no-subtitle_01700098231-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/0aeff517dc3794e8c658cba26419df989068bc3f71a410389c65eac5f45c8ab3/Park-Jeung-ho_no-subtitle_02000100417-.jpg" data-mid="118127620" border="0" src="https://freight.cargo.site/w/1000/i/0aeff517dc3794e8c658cba26419df989068bc3f71a410389c65eac5f45c8ab3/Park-Jeung-ho_no-subtitle_02000100417-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/8efa420fe9488e646487c8be41fd11ee8f4647ec116724cc335bfab5485dd097/Park-Jeung-ho_no-subtitle_02700102364-.jpg" data-mid="118127627" border="0" src="https://freight.cargo.site/w/1000/i/8efa420fe9488e646487c8be41fd11ee8f4647ec116724cc335bfab5485dd097/Park-Jeung-ho_no-subtitle_02700102364-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/0f09d8f8d5a20dd5281b16174023a6800ada99b7fe489d39c360fc2300cc844a/Park-Jeung-ho_no-subtitle_02800102900-.jpg" data-mid="118127628" border="0" src="https://freight.cargo.site/w/1000/i/0f09d8f8d5a20dd5281b16174023a6800ada99b7fe489d39c360fc2300cc844a/Park-Jeung-ho_no-subtitle_02800102900-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/1f91b17d6b031d33c6f8cfde3a6ed7e594014770282aeab1d68cf0f09c17e529/Park-Jeung-ho_no-subtitle_03300105437-.jpg" data-mid="118127634" border="0" src="https://freight.cargo.site/w/1000/i/1f91b17d6b031d33c6f8cfde3a6ed7e594014770282aeab1d68cf0f09c17e529/Park-Jeung-ho_no-subtitle_03300105437-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/2ad7904ed635581363d98256231e317d08fd55ad03b648d2f06ff2011c5a00c4/Park-Jeung-ho_no-subtitle_03500107105-.jpg" data-mid="118127636" border="0" src="https://freight.cargo.site/w/1000/i/2ad7904ed635581363d98256231e317d08fd55ad03b648d2f06ff2011c5a00c4/Park-Jeung-ho_no-subtitle_03500107105-.jpg" /> (KR) ‘박증호(曾呼)’는 이 작업을 하면서 처음으로 알게 된 친할머니의 본명이다. 할머니의 본래의 이름이 내가 그동안 알고 있었던 이름과 다르다는 것을 알기 전까지 그녀는 나에게 단지, ‘친할머니’라는 단어가 가진 추상적이고 불명확한 의미로만 존재했다. 그녀의 이름으로부터 나와 그녀의 관계를 ‘친할머니-손녀’의 관계, 그 너머의 개인적인 관계로 가져올 수 있었다. 이 영상은 카메라를 통해서 관찰한 개인 ‘박증호’와 ‘나’ 사이의 관계에 대한 탐구이다. (ENG) What does ‘family’ mean? We cannot simply define the meaning of our own families in a sentence. Feelings about one's own family are ambivalent. Relationships between family members can be very close, but very distant at the same time. Sometimes it seems as though we can understand each other well, but other times, not at all. There are many misunderstandings and also complicated feelings that cannot be clearly explained. These relationships will probably exist forever as something incomprehensible. Everyone has their own role in the family, and the role has a specific name that we have been using for a very long time. The parents of the parents are the grandparents and the children of the children are the grandchildren: each name of family members has an obvious feature and it therefore allows the individual to remain as an abstract concept. These fixed names affect individual relationships. Sometimes we only understand each other within this abstract relationship of ‘family’. On one hand, it makes one another closer, but on the other hand, more unfamiliar. My grandmother, the mother of my father, was a person I couldn't understand at all. She only existed as the word "grandmother" in my mind. We only had this relationship because we are in the same family. Between us, there was nothing. Holding my camera, I was able to observe her precisely and understand her as an individual person. Her face on the recorded video was unfamiliar but looked lively. I was able to focus not only on her own life but also on my feelings about her. Working with her helped me redefine our abstract relationship. I have worked on this documentary for almost 6 years, but I cannot explain our relationship easily. My feelings about her are still very complicated. Nevertheless, I know her better than before, and now we have shared memories. This video was a process that individualized our relationship. <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/e3e4b74b4c7b9b1fc616425825651df37eecc73ede5f3a12aee9fcfe448f35d0/Park-Jeung-ho_no-subtitle_03600108213-.jpg" data-mid="118127650" border="0" src="https://freight.cargo.site/w/1000/i/e3e4b74b4c7b9b1fc616425825651df37eecc73ede5f3a12aee9fcfe448f35d0/Park-Jeung-ho_no-subtitle_03600108213-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/2a314d2ede43cbebcf2c857b6a32e10caef86a41dcb72e5792f232c8836d281d/Park-Jeung-ho_no-subtitle_04000109314-.jpg" data-mid="118127681" border="0" src="https://freight.cargo.site/w/1000/i/2a314d2ede43cbebcf2c857b6a32e10caef86a41dcb72e5792f232c8836d281d/Park-Jeung-ho_no-subtitle_04000109314-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/c10f8bc6d8cd00a6e1c6bbea0f24b24a183487b006ade203531c7b77fc0df190/Park-Jeung-ho_no-subtitle_04500111771-.jpg" data-mid="118127686" border="0" src="https://freight.cargo.site/w/1000/i/c10f8bc6d8cd00a6e1c6bbea0f24b24a183487b006ade203531c7b77fc0df190/Park-Jeung-ho_no-subtitle_04500111771-.jpg" /> (DE) Was bedeutet ‘Familie’? Wir können nicht die Bedeutung unsere Familien in einem Satz einfach definieren. Die Gefühle über die eigene Familie sind ambivalent. Die Beziehungen zwischen den Familienangehörigen können sehr nah sein, aber gleichzeitig auch sehr fern. Manchmal scheint es so, als ob wir uns gut verstehen können, aber manchmal gar nicht. Es gibt viele Missverständnisse und auch komplizierte Gefühle, die nicht deutlich erklärt werden können. Wahrscheinlich werden diese Beziehungen als etwas Unverständliches ewig existieren. Jede Person hat eine eigene Rolle bei der Familie und die Rolle hat einen bestimmten Namen, den wir seit sehr lange Zeit benutzen. Die Eltern der Eltern sind die Großeltern und die Kinder der Kinder sind die Enkelkinder: Jeder Name der Familienmitglieder hat eine offenbare Eigenschaft und deshalb er lässt das Individuum als einen abstrakten Begriff bleiben. Diese feststehenden Namen wirken auf die individuellen Beziehungen ein. Manchmal verstehen wir einander nur innerhalb dieser abstrakten Beziehung. Es macht sie einerseits innerlich näher, aber andererseits unbekannter. Meine Großmutter, die Mutter meines Vaters war für mich eine Person, die ich überhaupt nicht verstehen konnte. Sie existierte nur als das Wort ‘Großmutter’ in meinem Kopf. Zwischen uns gab es nur diese Beziehung, weil wir in der gleichen Familie sind. Hinter meiner Kamera konnte ich sie genau beobachten und als einen individuellen Menschen verstehen. Ihr Gesicht im Bildschirm war mir sehr fremd, aber sah lebendig aus. Ich konnte mich nicht nur auf ihr eigenes Leben, sondern auch auf meine Gefühle über sie konzentrieren. Die Zusammenarbeit mit ihr hat mir geholfen, unsere abstrakte Beziehung neu zu definieren. Ich habe mich seit 6 Jahren mit dieser dokumentarischen Arbeit beschäftigt, aber ich kann nicht unsere Beziehung einfach erklären. Meine Ansicht über sie ist immer noch sehr kompliziert. Trotzdem kenne ich sie besser als früher und jetzt haben wir gemeinsame Erinnerungen. Dieses Video war ein Prozess, wodurch unsere Beziehung individualisiert wird. <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/4a0c3c8d92fbf7dc48a61b112fe50c13e61cadff900b4ffe143476ff479fffae/Park-Jeung-ho_no-subtitle_04800112956-.jpg" data-mid="118127689" border="0" src="https://freight.cargo.site/w/1000/i/4a0c3c8d92fbf7dc48a61b112fe50c13e61cadff900b4ffe143476ff479fffae/Park-Jeung-ho_no-subtitle_04800112956-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/fb7218618f770527b5cfbff91566d3d820a3532385de607b9bc6f654f7de8549/Park-Jeung-ho_no-subtitle_05400113997-.jpg" data-mid="118127695" border="0" src="https://freight.cargo.site/w/1000/i/fb7218618f770527b5cfbff91566d3d820a3532385de607b9bc6f654f7de8549/Park-Jeung-ho_no-subtitle_05400113997-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/f23237b90379e74c2ef0278410f85af0c93547e9d851e74b8714ae9cd1d2ecea/Park-Jeung-ho_no-subtitle_05700116763-.jpg" data-mid="118127699" border="0" src="https://freight.cargo.site/w/1000/i/f23237b90379e74c2ef0278410f85af0c93547e9d851e74b8714ae9cd1d2ecea/Park-Jeung-ho_no-subtitle_05700116763-.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/e3d53ee9caafe5e9fe0cab442abaeb08846e7fc87ee5c0309c5a896f18e2e5e7/Park-Jeung-ho_no-subtitle_06300121720-.jpg" data-mid="118127705" border="0" src="https://freight.cargo.site/w/1000/i/e3d53ee9caafe5e9fe0cab442abaeb08846e7fc87ee5c0309c5a896f18e2e5e7/Park-Jeung-ho_no-subtitle_06300121720-.jpg" /> 2021 Full HD, color, stereo; KR, subtitles; ENG, DE Produktoinsland; South Korea und Germany 00:23:29 https://shinyounghee.com/Buhne_Baustelle-Stage_construction-site-_45-Bukchon-ro-Gahoe-dong Fri, 19 Jan 2024 04:34:16 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/Buhne_Baustelle-Stage_construction-site-_45-Bukchon-ro-Gahoe-dong Bühne_Baustelle (Stage_construction site)_45 Bukchon-ro, Gahoe-dong, Jongno-gu, Seoul, South Korea <img width="16000" height="9000" width_o="16000" height_o="9000" data-src="https://freight.cargo.site/t/original/i/4c81b3fbd2d29b225eef927b080682c8935641cf8b05eb59938cd15a9f62924e/buehne_005_small.jpg" data-mid="202185168" border="0" src="https://freight.cargo.site/w/1000/i/4c81b3fbd2d29b225eef927b080682c8935641cf8b05eb59938cd15a9f62924e/buehne_005_small.jpg" /> 익숙한 거리가 문득 낯설게 느껴지는 그런 날이 있다. 늘 똑같아 보이던 공사장의 높은 벽이 열리자, 그곳은 하나의 커다란 야외극장이 되었다. 그 열린 문 안으로 일하는 사람들과 흙을 파내는 포크레인이 때때로 나왔다가 사라지고, 카메라 화면 안으로 지나가는 사람들과 차들, 그리고 카메라 밖에서 들어와 공사장의 문을 열고 들어가는 사람까지, 대단한 사건은 없지만, 그 소소한 움직임들이, 늘 길을 건너면서 무심히 지나치던 풍경을 특별하게 만들었다. 이 작업은 독일에서 야외 전시를 할 때 (Open Skies, 2021) 처음으로 상영한 작업이다. 컨테이너 안에 영상을 틀어, 관람객이 반쯤 열린 문을 열고 그 안으로 들어가서 영상을 볼 수 있게했다. 컨테이너라는 하나의 극장은 카메라 화면을 통해 보이는 두 번째 극장과 공사장의 열린 문 안으로 보이는 세 번째 극장으로 연결된다. 영상 속의 공사장은 이제는 사라지고 새로운 건물이 되었다. 짧은 시간 길거리에 열렸던 극장은 이제는 그 흔적도 찾아볼 수 없다. 2021 4K, Stereo 3분 6초, 반복 재생 : 늘 그곳에 존재했기 때문에 익숙했던 공간이 새로운 공간으로 변화하는 과정에서 만나게 된 낯섦에 대한 두 번째 기록이다. <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/1cc4d62df765b4e2458ebed454160dc2b380f798909cddeca0bea0688f316faa/20210626_HBK-OpenSkies_JAWORR_DSC_6131_small.jpg" data-mid="202185112" border="0" src="https://freight.cargo.site/w/1000/i/1cc4d62df765b4e2458ebed454160dc2b380f798909cddeca0bea0688f316faa/20210626_HBK-OpenSkies_JAWORR_DSC_6131_small.jpg" /><img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/08bdda6c1da793e12524da37f1a64d32252fb6dc00f0be7f3f737a727f40a086/20210626_HBK-OpenSkies_JAWORR_DSC_6140_small.jpg" data-mid="202185114" border="0" src="https://freight.cargo.site/w/1000/i/08bdda6c1da793e12524da37f1a64d32252fb6dc00f0be7f3f737a727f40a086/20210626_HBK-OpenSkies_JAWORR_DSC_6140_small.jpg" />&nbsp;비디오 설치 사진,&nbsp;전시 ‘OPEN SKIES’, Kunstverein DIE H_LLE, 바라운슈바이크, 독일, 2021 https://shinyounghee.com/changing_123-Bukchon-ro-Samcheong-dong-Jongno-gu-Seoul-Sudkorea Thu, 26 Nov 2020 13:04:54 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/changing_123-Bukchon-ro-Samcheong-dong-Jongno-gu-Seoul-Sudkorea “changing _ 123 Bukchon-ro, Samcheong-dong, Jongno-gu, Seoul, Südkorea” <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/4a0cfadba6cd215c63cdab66dbecfe46963cca16ac85083b428e143b140d1d5e/change_001.jpg" data-mid="90201893" border="0" src="https://freight.cargo.site/w/1000/i/4a0cfadba6cd215c63cdab66dbecfe46963cca16ac85083b428e143b140d1d5e/change_001.jpg" /> (KR) 영원한 것이 있을까. 장소라는 것은 영원할까, 장소에 속한 내 추억은 영원할까, 장소가 변하면 내가 기억하는 순간도 같이 변하는 걸까. (DE) Gibt es wirklich etwas Ewiges? Könnte ein Ort ewig sein? Könnten meine Erinnerungen, die zu einem Ort gehören, ewig bleiben? Wenn sich der Ort verändert, wird sich der Moment, an den ich mich erinnere, auch ändern? (ENG) Is there something eternal? Can a place be eternal? Can my memories about a place be eternal? If the place changes, would the memories of that moment also change?&nbsp; <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/d08b77dc2fa920d78f68833cb625c2a34d8eed4147059dca36a0338dcdeae47a/change_002.jpg" data-mid="90201894" border="0" src="https://freight.cargo.site/w/1000/i/d08b77dc2fa920d78f68833cb625c2a34d8eed4147059dca36a0338dcdeae47a/change_002.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/608014760b5a5f8e655d240a4e0e47d1ef93927cc02e958e97574ae91393a62e/change_003.jpg" data-mid="90201895" border="0" src="https://freight.cargo.site/w/1000/i/608014760b5a5f8e655d240a4e0e47d1ef93927cc02e958e97574ae91393a62e/change_003.jpg" /> <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/123549a83073005244495e45b86fa55bc1e80e141a22940902c67290f563134b/change_004.jpg" data-mid="90201896" border="0" src="https://freight.cargo.site/w/1000/i/123549a83073005244495e45b86fa55bc1e80e141a22940902c67290f563134b/change_004.jpg" /> (KR) 2020년 늦봄 오후에 산책을 하다가 한 공사장을 지나가게 되었다. 그 곳은 어렸을 때부터 늘 공원에 가는 길에 보았던 베트남 대사관 건물이 있는 자리였다. 오래된 건물들이 계속해서 사라지고, 새로운 건물들로 대체되는 것을 지켜보는 것은 매우 쓸쓸한 일이다. 처음 보는 빈 터가 바람에 나부끼는 노란 천 뒤로 넓게 펼쳐져 있었다. 이전의 모습을 찾을 수 없게 변해버린 그 공간을 바라보자, 원래 있던 건물이 어떤 모습이었는지는 기억이 나지 않게 되었다. 다만, 예전에 그 건물을 지나가면서 했던 생각, 어린 시절의 기억들만이 단편적으로 떠올랐다가 사라졌다. 공사장의 헐벗은 전경을 가리기 위한 노란 천막은 바람에 따라 일렁이고, 그 일렁거림에 맞춰 처음 보는 풍경이 보였다가 사라지기를 반복했다. 해가 막 지기 시작하는 짧은 시간 동안 그 천막을 따라 걸으면서 촬영을 했다. 풀어져 나풀거리는 천 조각들 사이로 낯선 풍경을 훔쳐보는 나의 시점이 느껴지게 하기 위해서 카메라를 최대한 천에 밀착시켰다. 며칠 뒤 그 풍경을 다시 보고 싶어 찾아간 그곳에는 더 견고한 벽이 세워져 더 이상 안을 들여다볼 수 없게 되었고, 2년이 지난 지금에는 새로운 건물이 세워져 그 텅 빈 공간은 영영 사라져 버렸다. 내가 마주했던, 그 황량하면서도 부드러웠던 공간은 이제 나의 기억과 영상으로만 남아있다. (DE) Das Wohnviertel, in dem ich seit fast 30 Jahren wohne, ist ein Altstadtteil in Seoul. Dort gibt es seit 15 Jahren eine enorme und radikale Gentrifizierung. Viele Freunde und Nachbarn sind umgezogen und alte Gebäude sind immer wieder verschwunden und wurden dann neu gebaut. Dieser Prozess war zu schnell, deswegen koexistiert das Alte und das Neue. Normalerweise fühle ich mich dort sehr wohl, aber ab und zu ist es mir zu fremd. Jetzt kommt die Gentrifizierung&nbsp; langsam zum Ende und man sollte sich jetzt an die neuen Änderungen gewöhnen. Die Spur der Gentrifizierung ist auch brutal. Ich bin in diesem Viertel aufgewachsen und habe diese rasanten Veränderungen beobachtet.&nbsp; Dabei habe ich bemerkt, dass die Erinnerungen mit den Orten tief verbunden sind. Obwohl die alten Gebäude und die Leute, die in meinen Erinnerungen zusammen waren, nicht mehr existieren, kann ich mich immer noch daran erinnern, falls ich an den Orten vorbei gehe. Mein Körper ruft die bestimmte Erinnerung zurück, wenn er an einem bestimmten Ort ist. Manchmal finde ich, dass ein Ort nicht nur eine physikalische Existenz ist, sondern auch eine Vorstellung sein kann. <img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/0df17260de909792ba26444444543f5eb9a74be9839cfa34e49cb3a4d7723652/change_005.jpg" data-mid="90201897" border="0" src="https://freight.cargo.site/w/1000/i/0df17260de909792ba26444444543f5eb9a74be9839cfa34e49cb3a4d7723652/change_005.jpg" /><img width="1890" height="1063" width_o="1890" height_o="1063" data-src="https://freight.cargo.site/t/original/i/3168bf5d2c01bbd687e77524db88f46ddef889e9d163696f65b08fd98165a6ad/change_006.jpg" data-mid="90201898" border="0" src="https://freight.cargo.site/w/1000/i/3168bf5d2c01bbd687e77524db88f46ddef889e9d163696f65b08fd98165a6ad/change_006.jpg" /> 2020 Videoarbeit - 00:05:11 https://shinyounghee.com/Origin-of-origin Fri, 04 Sep 2020 04:13:25 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/Origin-of-origin <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/3ef077ff6f3fe4ce0e8120c1f3772d2c2d8e8a28b4af12f1d7eef807c83a7a71/origin-of-origin_004-.jpg" data-mid="81756653" border="0" src="https://freight.cargo.site/w/1000/i/3ef077ff6f3fe4ce0e8120c1f3772d2c2d8e8a28b4af12f1d7eef807c83a7a71/origin-of-origin_004-.jpg" />Origin of origin (KR) 영상 작업 &lt;Origin of Origin(기원의 기원)&gt;에서는 세 개의 단어 ‘멜로드라마(Melodrama)’, ‘격정(Pathos)’, 그리고 ’이상화(Idealisierung)’를 개인적인 경험과 사유를 통해서 설명하면서 작가가 어디에서 어떤 영향을 받아서 시각적인 작업을 하고 있는지를 직간접적으로 밝힌다. ‘멜로드라마(Melodrama)’는 전형적인 이야기에서 만들어지는 아름다움과 그것을 표현하는 형식에 관한 것이다. 왜 사람들이 현실과 동떨어진 세계를 만들고, 자신이 만든 세계에 영향을 받아 현실을 재구성하는지에 대해서 개인적인 경험을 들어 설명한다. ‘격정(Pathos)’에서는 미디어와 예술 작품에서 주로 마주할 수 있는 다양한 감정이 어떻게 작용하는지, 특히 이 감정들이 어떻게 과장되고 개인의 사고방식에 침투하는지, 그리고 그것이 개인과 사회에서 어떤 역할을 하는지를 면밀하게 고민한다. ‘이상화(Idealisierung)’에서는 작가에게 ‘서양 미술의 상징’으로 자리 잡은 석고상에 대한 경험을 이상과 이상화의 관계를 통해서 드러내고, 불완전한 이상화가 작가의 예술에 대한 관점에 어떤 영향을 미쳤는지를 설명한다. 매끄럽게 돌아가는 석고 모조품들과 함께 이 세 가지의 주제는 시작과 끝이 없이 반복되고, 각각의 의미가 단독으로 존재하기보다는 서로 영향을 주고받으면서 새로운 의미를 만들어 낸다. (DE) Ich habe lange Zeit darüber nachgedacht, was das Original ist. Wo liegt das Original? Meiner Ansicht nach verbindet sich das Original direkt mit der Kreativität. Wenn das wichtigste Attribut der Kunst die Kreativität des Künstlers ist, sollte das Original das wichtigste Element in der Kunst werden? Dann könnte man sagen, dass die Hegemonie des Originals in der Kunst sehr groß ist. Existiert das Original aber wirklich in der Kunst? Wenn es so ist, wo liegt meine Originalität? Was ist es eigentlich, dass ich lange gesucht habe? Ist es echt oder falsch? Ich wollte diese Gedanken konkretisieren. ‘Melodrama’, ‘Pathos’ und ‘Idealisierung’ sind die wichtigen Themen meiner Arbeit. In dieser Videoarbeit wurden untersucht, wie sie sich auf meine Arbeiten beziehen. Bei dem Thema ‘Melodrama’ geht es um die Schönheit und die Formalität in den typischen Storys. Wie sie die Zuschauer an ihr System gewöhnen und welche Wirkung auf die reale Welt und die Denkweise der Zuschauer ausüben können, wurden erklärt.In ‘Pathos’ habe ich über die übertriebenen Emotionen geschrieben. Wie Emotionen, besonders die übertriebenen und starken Emotionen funktionieren und welche Rolle sie in der einzelnen Person und der Gesellschaft spielen, habe ich mit meiner persönlichen Erfahrungen analysiert.In ‘Idealisierung’ wurde die Geschichte der Gipsfiguren, die in diesem Video auftauchen, erläutert. Die Beziehung zwischen dem Ideal und der Idealisierung und der Prozess der Idealisierung und wie die Idealisierung eine Gesellschaft beeinflussen kann, wurden dargestellt.Diese drei Themen hängen miteinander und mit meinem Leben zusammen. Der Sinn dieser Themen bleibt nicht in ihren eigenen Bedeutungen. Sie wirken sich auf eine Gesellschaft und jede Person, die in der Gesellschaft lebt, aus. Die Gesellschaft und die Personen werden nicht nur durch diese Begriffe beeinflusst, sondern sie nehmen auf wieder Einfluss auf sie und ändern ihre Bedeutungen. Danach werden die Gesellschaft und die Personen auch wieder durch die gewechselten Sinne geändert. Diese wiederholenden Wechselwirkungen und die Emotionen, die durch den Prozess der Veränderung veranlaßt werden, sind eng miteinander verbunden. Diese komplizierten Verhältnisse sind der Ausgangspunkt meiner Arbeiten. Die gemischten Wiederholungen schaffen neue Beziehungen und damit fängt die neue Arbeit an. <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/8e3c38515b94690ec7133b7e7ddd0b53ecba2abd93e53cf6407414482d8520b8/origin-of-origin_006-.jpg" data-mid="81756654" border="0" src="https://freight.cargo.site/w/1000/i/8e3c38515b94690ec7133b7e7ddd0b53ecba2abd93e53cf6407414482d8520b8/origin-of-origin_006-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/35c325f18974dfd1ac0812ce1e26e7a0bd02332176d3ac5ed9ad4733b91eb74d/origin-of-origin_010-.jpg" data-mid="81756655" border="0" src="https://freight.cargo.site/w/1000/i/35c325f18974dfd1ac0812ce1e26e7a0bd02332176d3ac5ed9ad4733b91eb74d/origin-of-origin_010-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/01c28331bcff0265d75d321824674e6e85235617cb46e656c2b8d8afaca0551c/origin-of-origin_014-.jpg" data-mid="81756656" border="0" src="https://freight.cargo.site/w/1000/i/01c28331bcff0265d75d321824674e6e85235617cb46e656c2b8d8afaca0551c/origin-of-origin_014-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/c42622daa13b33e414219da737ba7d79ea50c72f0251b83f91e70d97823cdb45/origin-of-origin_022-.jpg" data-mid="81756657" border="0" src="https://freight.cargo.site/w/1000/i/c42622daa13b33e414219da737ba7d79ea50c72f0251b83f91e70d97823cdb45/origin-of-origin_022-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/099720eb6539c4895d180055e721d2f5d5f7c5dac3dd335a86856da79c789206/origin-of-origin_027-.jpg" data-mid="81756658" border="0" src="https://freight.cargo.site/w/1000/i/099720eb6539c4895d180055e721d2f5d5f7c5dac3dd335a86856da79c789206/origin-of-origin_027-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/b75ff9a0406ea908d438dc228893a840bf1a91edd4e5388320c1021820382dfa/origin-of-origin_043-.jpg" data-mid="81756659" border="0" src="https://freight.cargo.site/w/1000/i/b75ff9a0406ea908d438dc228893a840bf1a91edd4e5388320c1021820382dfa/origin-of-origin_043-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/06ad7c04faf286ecc84aea65e2d2400c4a4c3278c872ea538691adc4b9fd81f7/origin-of-origin_047-.jpg" data-mid="81756660" border="0" src="https://freight.cargo.site/w/1000/i/06ad7c04faf286ecc84aea65e2d2400c4a4c3278c872ea538691adc4b9fd81f7/origin-of-origin_047-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/b7c42eee5bc447320c19e57e3174cda963a4136cfde2b3521bdbc979f1fc8932/origin-of-origin_049-.jpg" data-mid="81756661" border="0" src="https://freight.cargo.site/w/1000/i/b7c42eee5bc447320c19e57e3174cda963a4136cfde2b3521bdbc979f1fc8932/origin-of-origin_049-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/9b8c9585a8b8fab47ba5f012acc35024718b6bc9886a1ea2e30ea52932b3f8e1/origin-of-origin_054-.jpg" data-mid="81756662" border="0" src="https://freight.cargo.site/w/1000/i/9b8c9585a8b8fab47ba5f012acc35024718b6bc9886a1ea2e30ea52932b3f8e1/origin-of-origin_054-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/6ff7053c060ac0b38a68fab54380a1526329db724deccaf604cabf72a6292a80/origin-of-origin_060-.jpg" data-mid="81756664" border="0" src="https://freight.cargo.site/w/1000/i/6ff7053c060ac0b38a68fab54380a1526329db724deccaf604cabf72a6292a80/origin-of-origin_060-.jpg" /> (ENG) I've been thinking about what the original is. Where can I find the original? I think the original is directly linked to creativity. If the most important attribute of art is the creativity of an artist, should the original become the most important element in art? Then the hegemony of the original is very big in the world of art. But does the original really exist in art? If so, where is my originality? What is it actually that I’ve been looking for for a long time? Is it real or fake? I wanted to clarify these considerations. ‘Melodrama’, ‘Pathos ’and ‘Idealization’ are the most important themes in my work. In this video work are analyzed how they are connected with me. The topic ‘Melodrama’ is about the beauty and the formality in typical stories. It is explained how the viewers get used to their system and what effect they can have on the real world and the viewers’ way of thinking. In ‘Pathos’ I wrote about the exaggerated emotions. How emotions, especially exaggerated and strong emotions, work and which role they play in the individual and in the society, I have analyzed it with my personal experiences. In ‘Idealization’ was explained the story of the plaster figures which appeared in this video. The relationship between the ideal and idealization, the process of idealization and how idealization can affect a society were presented. These three themes are related to each other and to my life. The meaning of these topics does not remain in their own meanings. They affect a society and everyone who lives in the society. Not only are society and people influenced by these concepts, but they also influence them again and change their meanings. After that, society and individuals are changed again through the changed senses. These repetitive interactions and the emotions that are caused by the process of change are closely related. These complicated relationships are the starting point for my work. The mixed repetitions create new relationships and with that the new work begins. <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/bc3825766ae0693e8902d51a36d0df7e7d75ba213f49aa123ec55e53adfaa32e/origin-of-origin_065-.jpg" data-mid="81756665" border="0" src="https://freight.cargo.site/w/1000/i/bc3825766ae0693e8902d51a36d0df7e7d75ba213f49aa123ec55e53adfaa32e/origin-of-origin_065-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/14a0f09646a8a3f276427bf3efa84e4205a7744cc9098c02b5524eb60686b31f/origin-of-origin_067-.jpg" data-mid="81756666" border="0" src="https://freight.cargo.site/w/1000/i/14a0f09646a8a3f276427bf3efa84e4205a7744cc9098c02b5524eb60686b31f/origin-of-origin_067-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/fb5458d26d3e7e8b9d476a1db8312060ab0a6a2c14dd7bb69be59d24a3a5d5d3/origin-of-origin_072-.jpg" data-mid="81756667" border="0" src="https://freight.cargo.site/w/1000/i/fb5458d26d3e7e8b9d476a1db8312060ab0a6a2c14dd7bb69be59d24a3a5d5d3/origin-of-origin_072-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/597c7d2040c28228c6936da7325b3aea49b5a0b8e55e4a6fd6d54879a402cc80/origin-of-origin_076-.jpg" data-mid="81756668" border="0" src="https://freight.cargo.site/w/1000/i/597c7d2040c28228c6936da7325b3aea49b5a0b8e55e4a6fd6d54879a402cc80/origin-of-origin_076-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/7c2f1436453d019468ad3bbcb3dd90c36164ef124e85f71045e2a3bb378993eb/origin-of-origin_080-.jpg" data-mid="81756669" border="0" src="https://freight.cargo.site/w/1000/i/7c2f1436453d019468ad3bbcb3dd90c36164ef124e85f71045e2a3bb378993eb/origin-of-origin_080-.jpg" /> <img width="14400" height="8100" width_o="14400" height_o="8100" data-src="https://freight.cargo.site/t/original/i/a70d3413bfe8bca00d5d367baf8a853428f88d5ec1d21da2b19bf1e3c06f9cac/origin-of-origin_081-.jpg" data-mid="81756670" border="0" src="https://freight.cargo.site/w/1000/i/a70d3413bfe8bca00d5d367baf8a853428f88d5ec1d21da2b19bf1e3c06f9cac/origin-of-origin_081-.jpg" /> 2020 Objekte - 8 Gipsfuguren aus griechischenund römischen Zeitalter und der Renaissance (7-15cm) Videoarbeit - 00:18:37 https://shinyounghee.com/Prototyp-des-Pathos Thu, 09 Apr 2020 08:12:03 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/Prototyp-des-Pathos <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/2a0086ffefe96204590de65d2bdb4d237e4dd7dcd5292096f10705763e8d3ba1/Screen-Shot-2019-12-26-at-2.18.10-AM.png" data-mid="66266168" border="0" src="https://freight.cargo.site/w/1000/i/2a0086ffefe96204590de65d2bdb4d237e4dd7dcd5292096f10705763e8d3ba1/Screen-Shot-2019-12-26-at-2.18.10-AM.png" /> Prototyp des Pathos (KR) 유럽의 여러 미술관에서는 극적이고 강렬한 감정을 드러내는 여러 조각상을 볼 수 있다. 인간이 느끼는 감정을 포착하여 표현하는 이러한 얼굴들은 기념품으로, 도록의 사진으로, 관광객이 찍어 올리는 수많은 사진으로 재생산된다. 감정을 나타내는 인간의 실재 표정과 조각상의 표정이 다름에도 불구하고, 이러한 반복은 인간적이지 않은 것을 인간 고유의 것으로 고정시킨다. 그리스와 로마 시대를 지나 르네상스를 거치면서 하얀 대리석 조각상은 특정한 시대의 상징물로만 존재하는 것이 아니라, 예술, 특히 서양 예술에서 전형적인 아름다움의 표상으로 자리 잡게 되었다. 특정한 양식으로 조각된 신화 속 인물의 모습은 되풀이되고 그와 유사하게 재현된 귀족, 왕족의 얼굴로 다시 만들어진다. 이러한 반복적인 재회는 조각상의 얼굴을 개별적인 존재의 얼굴이 아니라 어떤 유형으로 인식하게 만든다. 영상 작업 &lt;Prototyp des Pathos(격정의 전형)&gt;은 작가가 매료되어 수집한 다양한 조각상의 얼굴에서 시작한다. 가장 인간적인 감정, 또는 가장 인간적이라고 여겨지는 감정을 드러내는 순간을 아름답게 표현한 조각상의 이목구비는 수없이 반복된다. 이 과정에서 예술작품으로서 본래의 의미는 탈각되고, 이미지로서의 굴곡과 형태만 남는다. 겉으로 드러나는 형식을 강조하는 방식으로 그려진 디지털 이미지는 화려한 색상과 움직이는 기하학적인 문양이 합쳐지면서 익숙한 이미지의 일부분을 더욱더 현란하게 증폭시킨다. (ENG) Where does the emotion come from and where did we learn how to express the emotion? Usually it is believed that the emotions belong to the individual. But they actually belong to the society in which they exist. They have been accumulated through the history and the society shared the same experiences. We can see these accumulated emotions on the faces of others and also in works of art. The sculptures of the Greek and Roman ages show the strong emotion of humankind. When I visited the Pergamon Museum and Altes Museum in Berlin, I was able to observe the heads of the sculptures that express the strong emotions. Through this form of representation I could feel the pathos. I was moved by them. I took photos of them and looked for photos in books. I noticed that the facial expressions and the gestures of those sculptures are parallel. They represent an ideal of human emotions. In art history, they function as the ideal expression of emotion, although one cannot see such shapes in the real world. The Ancient sculptures are the prototype of a prototype of emotion. (DE) Woher kommt die Emotion und wo hat man die Ausdrucksform der Emotion gelernt? Normalerweise glaubt man, dass die Emotionen zum Individuum gehören. Aber sie gehören eigentlich zu der Gesellschaft, in der sie lebt. Sie wurden durch die Geschichte und die sozialen, gemeinsamen Erfahrungen gesammelt und angehäuft. Man sieht diese angehäuften Emotionen auf den Gesichtern der Anderen und auch in Kunstwerken. Die Skulpturen des griechischen und römischen Zeitalters zeigen die starke Emotion des Menschen. Als ich das Pergamon Museum und Alte Museum in Berlin besucht habe, konnte ich die Köpfe der Skulpturen, die die starken Emotionen ausdrücken, beobachten. Durch diese Darstellungsform konnte ich das Pathos fühlen. Ich war davon ergriffen. Ich habe sie fotografiert und Fotos in Büchern gesucht. Dabei habe ich bemerkt, dass die Mimik und Gestik der Skulpturen eine Parallelität haben. Sie stellen ein Ideal der Emotionen des Menschen dar. In der Kunstgeschichte funktionieren sie als die ideale Ausdrucksform der Emotion, obwohl man keine solche Gestaltungen in der realen Welt sehen kann. Die Skulpturen der älteren Zeit sind der Prototyp eines Prototyps der Emotion. <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/c7ca9a6ddd5f6ed88e606ea4fc592da2cdce9f3b2e005c93759fc64576c0fce8/Screen-Shot-2020-01-10-at-6.21.03-PM.png" data-mid="66266268" border="0" src="https://freight.cargo.site/w/1000/i/c7ca9a6ddd5f6ed88e606ea4fc592da2cdce9f3b2e005c93759fc64576c0fce8/Screen-Shot-2020-01-10-at-6.21.03-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/00f836214330ccd07da00a9dcb9a66506a2e808df83fe6810b0bdf1a2b3982a9/Screen-Shot-2020-01-10-at-6.20.48-PM.png" data-mid="66266267" border="0" src="https://freight.cargo.site/w/1000/i/00f836214330ccd07da00a9dcb9a66506a2e808df83fe6810b0bdf1a2b3982a9/Screen-Shot-2020-01-10-at-6.20.48-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/576caa8b22a4e509126626f7e989f3d099250cb866e34bbcc09ff257151d2332/Screen-Shot-2020-01-10-at-6.21.12-PM.png" data-mid="66266269" border="0" src="https://freight.cargo.site/w/1000/i/576caa8b22a4e509126626f7e989f3d099250cb866e34bbcc09ff257151d2332/Screen-Shot-2020-01-10-at-6.21.12-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/35bb1cf190d0bf41e5b1e298a1b862c71920c39267f374b8f542740bc0cb7849/Screen-Shot-2020-01-10-at-6.22.02-PM.png" data-mid="66266307" border="0" src="https://freight.cargo.site/w/1000/i/35bb1cf190d0bf41e5b1e298a1b862c71920c39267f374b8f542740bc0cb7849/Screen-Shot-2020-01-10-at-6.22.02-PM.png" /> Referenzen Head of Hekate’s opponent, from the east frieze of the great altar of Pergamon, ca. 180-150 BC Head of Alexander, reportedly from Megara, ca.320 BC Falling Celt attributed to the “Small Pergamene Dedication” on the Athenian Akropolis (Roman copy), original ca. 200-150 BC Head of a Giant in the grip of the sea nymph Doris from the west frieze of the great altar of Pergamon Head of defeated Celt attributed to the “Small Pergamene Dedication” on the Athenian Akropolis Colossal Athena attributed to Euboulides of Athens, from Athens, ca. 29 BC to 14 AD Head of Alkyoneus, from the east frieze of the great altar of Pergamon Gorgoneion of the Temple of Trajan in Pergamon, ca. 125-138 (?) AD Colossal head of Hercules from the Capitoline (Rome), ca. 150-125 BC Head of the dying Celtic Trumpeter (Roman copy), original ca. 220 BC Head of Laokoon from “Laokoon and his sons”, ca. 200(?) BC <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/228cb2044fd2ec7bc8f963d1b24349b5d831f0ab469e314f5b9b90b8e34cda1e/Screen-Shot-2020-01-10-at-6.23.12-PM.png" data-mid="66266311" border="0" src="https://freight.cargo.site/w/1000/i/228cb2044fd2ec7bc8f963d1b24349b5d831f0ab469e314f5b9b90b8e34cda1e/Screen-Shot-2020-01-10-at-6.23.12-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/dd12768f304bb2efc08588b7e2863047d0137d9e659ecaf91411d93abd2c4a4e/Screen-Shot-2020-01-10-at-8.15.19-PM.png" data-mid="66266362" border="0" src="https://freight.cargo.site/w/1000/i/dd12768f304bb2efc08588b7e2863047d0137d9e659ecaf91411d93abd2c4a4e/Screen-Shot-2020-01-10-at-8.15.19-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/b5c6d1c2f8a66ac56f92c8bd71df8be2cb76206d73dc856e08d46b47f9fb6017/Screen-Shot-2020-01-10-at-8.16.12-PM.png" data-mid="66266363" border="0" src="https://freight.cargo.site/w/1000/i/b5c6d1c2f8a66ac56f92c8bd71df8be2cb76206d73dc856e08d46b47f9fb6017/Screen-Shot-2020-01-10-at-8.16.12-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/60cef02430b0c2a3d413cd916dc61429c86615a1e77517ce9376ea17bb454ffe/Screen-Shot-2020-01-10-at-8.16.46-PM.png" data-mid="66266373" border="0" src="https://freight.cargo.site/w/1000/i/60cef02430b0c2a3d413cd916dc61429c86615a1e77517ce9376ea17bb454ffe/Screen-Shot-2020-01-10-at-8.16.46-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/d2ee8ebd8994a934c2ec0dddd71146b1a4bd4bc84cd76d5eeee32ce9f821cd66/Screen-Shot-2020-01-10-at-8.17.07-PM.png" data-mid="66266374" border="0" src="https://freight.cargo.site/w/1000/i/d2ee8ebd8994a934c2ec0dddd71146b1a4bd4bc84cd76d5eeee32ce9f821cd66/Screen-Shot-2020-01-10-at-8.17.07-PM.png" /> Portrait head of Tiberius from a relief, ca. 14(?) AD Head of “Sosikles Amazon” type (Roman copy), ca. 440-430 BC Head of the opponent of the Dione from the north frieze of the great altar of Pergamon Head of the younger son of Laokoon Head of the drunken satyr, ca. 230-200 BC Head identified as Attalos I, from Pergamon, ca.240-200 BC Colossal head identified as King Demetrios Polioketes, from the steps of the Dodekatheon at Delos, ca. 306-301(?) BC Head of the central hunter of the Mattei sarcophagus I, ca. 300 AD Head of Alexander(?) from Pergamon, ca. 200-150 BC Priest, from the Athenian Agora, ca. 50 BC <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/dd6f13d54a9786c171c9b35d493bf5dc8685280685897992595ceb14e6ab0063/Screen-Shot-2020-01-10-at-8.17.21-PM.png" data-mid="66266375" border="0" src="https://freight.cargo.site/w/1000/i/dd6f13d54a9786c171c9b35d493bf5dc8685280685897992595ceb14e6ab0063/Screen-Shot-2020-01-10-at-8.17.21-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/9a889b1f0d01eaed75b028501e7be87187ed511961e881f5f1884b667b0182a9/Screen-Shot-2020-01-10-at-8.17.46-PM.png" data-mid="66266381" border="0" src="https://freight.cargo.site/w/1000/i/9a889b1f0d01eaed75b028501e7be87187ed511961e881f5f1884b667b0182a9/Screen-Shot-2020-01-10-at-8.17.46-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/02361f6f8ac4802a272f534e9871f9d9ab581cb478b3e471f57347fd8263635b/Screen-Shot-2020-01-10-at-8.17.57-PM.png" data-mid="66266382" border="0" src="https://freight.cargo.site/w/1000/i/02361f6f8ac4802a272f534e9871f9d9ab581cb478b3e471f57347fd8263635b/Screen-Shot-2020-01-10-at-8.17.57-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/7cb817c5520ef5b070cee064dd3caaafa586735c4337b4bb8930a2aaed084dda/Screen-Shot-2020-01-10-at-8.18.26-PM.png" data-mid="66266383" border="0" src="https://freight.cargo.site/w/1000/i/7cb817c5520ef5b070cee064dd3caaafa586735c4337b4bb8930a2aaed084dda/Screen-Shot-2020-01-10-at-8.18.26-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/5ae65a66c02d6e6736759a09d5e2d84df4ab1e3d4e4a7bf9236d3d3824a6abb1/Screen-Shot-2020-01-10-at-8.18.56-PM.png" data-mid="66266421" border="0" src="https://freight.cargo.site/w/1000/i/5ae65a66c02d6e6736759a09d5e2d84df4ab1e3d4e4a7bf9236d3d3824a6abb1/Screen-Shot-2020-01-10-at-8.18.56-PM.png" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/5480542d245d8386c6edd7659c43e638e60fbd25b2dcb974dfaf2390ce4f3a13/Screen-Shot-2020-01-10-at-8.19.48-PM.png" data-mid="66266422" border="0" src="https://freight.cargo.site/w/1000/i/5480542d245d8386c6edd7659c43e638e60fbd25b2dcb974dfaf2390ce4f3a13/Screen-Shot-2020-01-10-at-8.19.48-PM.png" /> Head of Diodoros Pasparos, from the “Marmorsaal” of his gymnasium at Pergamon, ca. 80-60 BC Head of the elder son of Laokoon Head of another copy (“white” type) of the Marsyas (Roman copy), original ca. 200-150 BC Head of Apollo of Belvedere (Roman copy), orignal ca.350-300 BC Colossal head of King Ptolemy IX Soter II of Egypt, from Memphis, ca. 100-80 BC Celt, from the Fayum, ca. 175-150 BC Fist fighter from the Hill, ca. 100-50 BC Head of “Nyx”/Persephone, from the north frieze of the great alter of Pergamon Head of the “Kassel” Apollo (Roman copy), original ca. 470-460 BC Head of the fighting Gaul, from the Agora of the Italians on Delos, ca. 100 BC Arsinoe III, from the Sarapeion at Alexandria, ca. 217-204 BC Head of the singing or talking Dionysus, ca. 270-250 BC Head of Discophoros by Polykleitos of Argos, ca. 460/450 BC “Aberdeen” Herakles from Greece, ca. 350-330 BC Antinous of Écouen, ca. 76-138 AD Head of Pothos from villa near the Via Cavour, ca.200(?) AD 2020 Digitale Zeichnungen der Skulpturen des griechischen und römischen Zeitalters Animationsfilm - 00:10:16 https://shinyounghee.com/ICON_Kaleidoskop Tue, 24 Sep 2019 20:49:05 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/ICON_Kaleidoskop <img width="0" height="0" width_o="0" height_o="0" data-src="https://freight.cargo.site/t/original/i/85f786542d992419316fcd81c3d36f779d3275e7cdb5a42b0f1fa97ecbc20e86/ICON_Kaleidoskop_024.jpg" data-mid="51334933" border="0" src="https://freight.cargo.site/w/0/i/85f786542d992419316fcd81c3d36f779d3275e7cdb5a42b0f1fa97ecbc20e86/ICON_Kaleidoskop_024.jpg" /><img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/efed549701967006a6a59da5f71c6b30a67b1163c66c867930b2438120c4b78b/ICON_Kaleidoskop_002.jpg" data-mid="51334902" border="0" src="https://freight.cargo.site/w/1000/i/efed549701967006a6a59da5f71c6b30a67b1163c66c867930b2438120c4b78b/ICON_Kaleidoskop_002.jpg" />ICON_Kaleidoskop <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/4e300a89243e5a4ed48b75225a96d4909a5bd3e7ea410aec67c08e7ad71aa794/ICON_Kaleidoskop_003.jpg" data-mid="51334903" border="0" src="https://freight.cargo.site/w/1000/i/4e300a89243e5a4ed48b75225a96d4909a5bd3e7ea410aec67c08e7ad71aa794/ICON_Kaleidoskop_003.jpg" /> <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/ac6f7e0baeaffe8b5c3dc03b35b8d956d086dde8d35f99d4291ced8c8fd0242c/ICON_Kaleidoskop_005.jpg" data-mid="51334905" border="0" src="https://freight.cargo.site/w/1000/i/ac6f7e0baeaffe8b5c3dc03b35b8d956d086dde8d35f99d4291ced8c8fd0242c/ICON_Kaleidoskop_005.jpg" /> (KR) 미디어에서 보여주는 관객의 얼굴들은 이제 더는 특정한 사람의 얼굴이 아니다. 단지, 그 얼굴들은 몇 가지 형태의 패턴으로 자리 잡았다. 그 표정들은 도식적으로 움직이고, 사람들은 그것에 자동으로 반응한다. 이렇게 미디어를 통해서 배운 표정은 또 다른 미디어를 통해서 무한히 반복, 재생산된다. (ENG) Emotions overflow everywhere. Nowadays we can encounter trivial and extremely exaggerated emotions every day. Every moment has a suitable facial expression and gesture. They are already set. Nevertheless, we are often looking for the reaction of others in the media. We always want our emotions and reactions about a situation or event to be confirmed. The face of the others show us, whether our feeling is suitable or not. In the media, the forms of expression of emotions have already become a cliché. There are rules which were made by accumulated experiences and they were formed by those rules. They already have the expected forms. Not only actors show their expressions, but the audience also shows their emotions which they have learned before through the media. These facial expressions come from different people, but we can't find many differences among them. They reproduce themselves more and more, imitate each other and they multiply infinitely. They just come again and again and then disappear quickly. However, we do not notice the volatility of the face of a particular person because the individuality has disappeared by the repeated expression of the emotions. The faces in the media are just a pattern now. We lose our own facial expressions. Our personality is no longer that important because it only works as a method to manipulate the audience's emotions. They move schematically and people react to them automatically. (DE) Emotionen überfließen überall. Heutzutage kann man jeden Tag banalen und extrem übertriebenen Emotionen begegnen. Jeder Moment hat eine passende Mimik und Gestik. Sie sind schon festgelegt. Trotzdem sucht man oft die Reaktion der Anderen in den Medien. Man möchte immer seine Emotion und Reaktion über eine Situation oder ein Ereignis bestätigen. Das Gesicht der Anderen zeigt einem, ob das Gefühl richtig ist. In Medien sind die Ausdrucksformen der Emotionen schon ein Cliché geworden. Sie wurden durch Regeln und Erfahrungen gebildet. Sie haben schon die erwarteten Gestaltungen. Nicht nur Schauspieler und Schauspielerinnen zeigen sie, sondern auch das Publikum zeigt seine Emotionen, die es schon früher durch Medien gelernt hat. Sie kommen von unterschiedlichen Personen, aber man kann keinen großen Unterschied zwischen ihnen finden. Sie reproduzieren immer mehr, ahmen einander nach und sie vermehren sich unendlich. Sie kommen einfach wieder und wieder, danach verschwinden sie schnell wieder. Allerdings bemerkt man nicht die Verflüchtigung des Gesichts von einer bestimmten Person, weil der individuelle Charakter durch die wiederholte Ausdrucksform der Emotion erloschen ist. Die Gesichter in den Medien sind jetzt nur ein Muster. Sie verlieren die eigene Mimik. Ihre Persönlichkeit ist nicht mehr so wichtig, weil sie nur als eine Methode funktionieren, um die Emotionen der Zuschauer zu manipulieren. Sie bewegen sich schematisch und Leute reagieren darauf automatisch. 2019 Animationsfilm (digitale Format) 00:04:50 <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/911d5a422bd75c531046676a6cbe7760f5f08ab3654213eee2cda82520d81df3/ICON_Kaleidoskop_009.jpg" data-mid="51334909" border="0" src="https://freight.cargo.site/w/1000/i/911d5a422bd75c531046676a6cbe7760f5f08ab3654213eee2cda82520d81df3/ICON_Kaleidoskop_009.jpg" /> <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/c14492d01a3ab5010dc7c06dc24d305fe77c3fb3e5eddda7b9c6ec3426cbc955/ICON_Kaleidoskop_017.jpg" data-mid="51334917" border="0" src="https://freight.cargo.site/w/1000/i/c14492d01a3ab5010dc7c06dc24d305fe77c3fb3e5eddda7b9c6ec3426cbc955/ICON_Kaleidoskop_017.jpg" /> <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/14f2db0d7637c25ff19793b45db383cdaf68a0306085b70b752374b10934596c/ICON_Kaleidoskop_018.jpg" data-mid="51334918" border="0" src="https://freight.cargo.site/w/1000/i/14f2db0d7637c25ff19793b45db383cdaf68a0306085b70b752374b10934596c/ICON_Kaleidoskop_018.jpg" /> <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/aba6f14fc8872f363a33384d04135bca86165f612c0fd9e74926beb17b5b0c54/ICON_Kaleidoskop_020.jpg" data-mid="51334920" border="0" src="https://freight.cargo.site/w/1000/i/aba6f14fc8872f363a33384d04135bca86165f612c0fd9e74926beb17b5b0c54/ICON_Kaleidoskop_020.jpg" /> <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/1e19aa10cedc50bcc994de298c156761df139ff50d2d7c8b85d034ba5861573c/ICON_Kaleidoskop_021.jpg" data-mid="51334921" border="0" src="https://freight.cargo.site/w/1000/i/1e19aa10cedc50bcc994de298c156761df139ff50d2d7c8b85d034ba5861573c/ICON_Kaleidoskop_021.jpg" /> <img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/7cb20e3fbf8401d4014a38fa87456d8faec22d3b47e9d094855bda2a75112c3d/ICON_Kaleidoskop_022.jpg" data-mid="51334922" border="0" src="https://freight.cargo.site/w/1000/i/7cb20e3fbf8401d4014a38fa87456d8faec22d3b47e9d094855bda2a75112c3d/ICON_Kaleidoskop_022.jpg" /> https://shinyounghee.com/ICON Tue, 24 Sep 2019 20:35:04 +0000 arbeit, arbeit, arbeit https://shinyounghee.com/ICON ICON <img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/5ca8f21960afd3669b3194ee1cf159723da9a0c7328ce0b65ddb4b4bac814b46/ICON_001.jpg" data-mid="51297973" border="0" src="https://freight.cargo.site/w/1000/i/5ca8f21960afd3669b3194ee1cf159723da9a0c7328ce0b65ddb4b4bac814b46/ICON_001.jpg" /> (KR) 대중매체는 극적인 감정을 이용해서 시청자를 설득한다. 화면에 꽉 차는 관객의 얼굴들은 특정한 감정을 자아내기 위한 간편한 수단이다. 시청자인 우리는 목적을 위해서 지나치게 과장된 감정을 표출하는 얼굴들에 이미 익숙하다. 그래서 쉽고 빠르게 그들이 전달하려는 감정에 동화된다. (ENG) Nowadays emotions work as a strategy to persuade others that your opinion is right. People can&nbsp; usually accept the information more quickly when it stimulates their emotions. Strong emotions help making a quick decision. The mass media is using emotions a lot as a strategy. In Korean television shows, the emotional faces of the audience are shown in order to have a strongly influence on the emotions of the viewers. This method is very popular and viewers are already used to it. We learn the expected emotions and expressions through the faces and accept this emotion as our own. Now I can’t say anymore that my feelings and reactions are really mine. Those faces on television are no longer strange. These faces could be my face. The faces were collected from the TV shows and newly drawn in order that their original context remove. They have lost the role that the program gave them and become unfamiliar faces again. They are no longer natural and ordinary. The distance between the faces and the audience is re-established. Because of this distance, we can experience the very manipulated and exaggerated emotions. The feelings that the mass media have portrayed as a normal form become unfamiliar once again. (DE) Heutzutage funktionieren Emotionen als eine Strategie, um Andere von der Richtigkeit der eigenen Meinung zu überzeugen. Manche Leute können die Information, die ihre Emotionen stark berührt, schneller akzeptieren. Starke Emotionen helfen, eine schnelle Entscheidung zu treffen. Die Massenmedien benutzen Emotionen als Strategie jetzt besonders viel. In koreanischen Fernsehshows werden die emotionalen Gesichter des Publikums gezeigt, um auf die Emotionen der Zuschauer stark einzuwirken. Diese Methode ist sehr populär und Zuschauer haben sich schon daran gewöhnt. Man lernt durch die gezeigten Gesichter die erwartete Emotion und Ausdrucksweise, dazu verinnerlicht man diese Emotion als die eigene. Jetzt kann ich nicht mehr behaupten, dass meine Emotionen und Reaktionen wirklich mir gehören. Diese Gesichter im Fernsehen sind nicht mehr fremd. Sie könnten mein Gesicht sein. Die Gesichter, die ich gezeichnet habe, wurden aus den Fernsehshows gesammelt und aus dem originalen Kontext rausgezogen. Sie haben ihre Rolle, die das Programm ihnen gegeben hat, verloren und werden wieder zu einem fremden Gesicht. Sie sind nicht mehr natürlich und gewöhnlich. Zwischen den Gesichtern und den Zuschauern entsteht wieder die Distanz. Wegen dieses Abstandes kann man die manipulierten und übertriebenen Emotionen genau empfinden. Die absurden Emotionen, die die Massenmedien als etwas Normales dargestellt haben, werden noch mal fremd. <img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/493281cd70e3c7a057101b2b1e305e5d4d408e8b6ef8e78cabc727451c9d7d6b/ICON_040.jpg" data-mid="51298014" border="0" src="https://freight.cargo.site/w/1000/i/493281cd70e3c7a057101b2b1e305e5d4d408e8b6ef8e78cabc727451c9d7d6b/ICON_040.jpg" /> <img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/c9198a93e684b3599a413c801f4b75be3809303ba2be93c4c29afb8bc707262f/ICON_025.jpg" data-mid="51297998" border="0" src="https://freight.cargo.site/w/1000/i/c9198a93e684b3599a413c801f4b75be3809303ba2be93c4c29afb8bc707262f/ICON_025.jpg" /> <img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/74dda8a6d994e18573b917e373a95edc8b832c59315b6ecbf09641e61d520c41/ICON_021.jpg" data-mid="51297993" border="0" src="https://freight.cargo.site/w/1000/i/74dda8a6d994e18573b917e373a95edc8b832c59315b6ecbf09641e61d520c41/ICON_021.jpg" /> <img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/884f3934887267f06ba9d101c64d24702746b7f8b189b46cd9d4639176513435/ICON_033.jpg" data-mid="51298007" border="0" src="https://freight.cargo.site/w/1000/i/884f3934887267f06ba9d101c64d24702746b7f8b189b46cd9d4639176513435/ICON_033.jpg" /> <img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/5c8dc6b0e0aa5a02e236fcc2c5ba97662ea36df1dc611cb3957afbfef7af7c43/ICON_042.jpg" data-mid="51298016" border="0" src="https://freight.cargo.site/w/1000/i/5c8dc6b0e0aa5a02e236fcc2c5ba97662ea36df1dc611cb3957afbfef7af7c43/ICON_042.jpg" /> <img width="5760" height="3240" width_o="5760" height_o="3240" data-src="https://freight.cargo.site/t/original/i/d527e145e5697ee0ceedf69e17d448a3d6fa9eb33158400be1646bb85a9dea85/ICON_037.jpg" data-mid="51298011" border="0" src="https://freight.cargo.site/w/1000/i/d527e145e5697ee0ceedf69e17d448a3d6fa9eb33158400be1646bb85a9dea85/ICON_037.jpg" /> 2018 - 2020 Animationsfilm (digitale Format) insgesamt 63 Gesichter aus koreanischen Fernsehshows jeweiliges Gesicht läuft ungefähr 6 - 35 Sekunde